SPIRITUAL WORLD. White is symbolic of prayer.
The traces above are transcribed without lengthen from the tag Rei Kawakubo wrote, and had translated into English to accompany—if circuitously to reward—her Comme des Garçons Homme Plus tag. Effectively, you knew what she used to be announcing. Helpless earlier to the speak of the enviornment, what fabricate we fabricate but pray?
Generally, you nearly about Comme braced to be terrified or intellectually poked by the sensation you’re failing to get one thing. (That, bizarre to claim, is allotment of the excitement). Diverse instances, undoubtedly one of Kawakubo’s shows can blueprint close you off guard by lawful being silly. But this season, she judged that neither warfare of words nor mirth had been that you might perhaps factor in. If vogue has an emotional role to play, it’s to be gentle, aloof, soothing.
As limited as she communicates in words, Kawakubo conveyed that feeling via the contemplation of fuzzy, felted surfaces, cutaway jackets cherish shrunken cardigans and trousers (or anti-trousers) with voluminous, drapey folds. At some points, she did away with trousers and changed them with white pleated skirts. Then came knitwear: cushy cages, lacy limited one-knit sweaters, worn with frilly, nearly Victorian bloomers.
In a season of ubiquitously darkish, sober tailoring, it used to be a respite of styles to spend a half hour in Kawakubo’s world of different masculinity. No longer all the issues she did used to be white. There had been black and navy jackets, about a of them embroidered with pearl buttons, no longer in contrast to the East London Pearly King folks tradition. There’s no longer even a shadow of toxic masculinity, militarism or aggression inside of Rei Kawakubo’s lady-designed Comme des Garçons universe. If finest that will perhaps seemingly be trusty of the enviornment out of doors.